ASK ME BANG Delfine

HardWerk Presents

WHERE VIRTUAL TURNS VISCERAL...

Conceptualized in accordance with their details-led-by-desire ethos, HardWerk?s latest release was born out of lead performer Lucy Huxley?s own personal gangbang wishlist, so creating a customized scenario truer to the film?s plot than you?d think. The film plays out in a subversive sci-fi vision of the future where men have died out and their semen is the latest commodity. For the filmmakers, it?s a teasing role-reversal in which rough sex, facials and swallowing, traditionally viewed as objectifying women, instead turn men into little more than fantasy fodder and cum dispensers for a privileged princess. Whether utopian or dystopian is left for you to decide?

HardWerk Presents

Hardwerk proudly presents a new addition to the iconic Triptychon series, taking audiences back to the classic format with an artistic, erotic twist.

In this visually arresting installment, the captivating Kiara steps into the spotlight to explore a fantasy she has long desired to bring to life. Set in a dark, fluorescent, and almost magical realm, Kiara begins her sensual ritual, playing with candles and hot wax, teasing both herself and the audience. The scene’s energy intensifies as the talented Bishop Black, Dadinho, and Rod Hardick join her, transforming the space into a dynamic, carnal playground. Combining the visual language of classic cinema with Hardwerk's signature playfulness, Triptychon masterfully employs split screens and striking juxtapositions—contrasting elegant, clothed beauty shots with raw, explicit eroticism. The passionate encounter culminates in an unforgettable moment, as Kiara's ecstasy drives her to cry out in her native Italian, embodying the power of true, uninhibited pleasure.

HardWerk Presents

WHERE VIRTUAL TURNS VISCERAL...

Conceptualized in accordance with their details-led-by-desire ethos, HardWerk's latest release was born out of lead performer Lucy Huxley's own personal gangbang wish list, so creating a customized scenario truer to the film's plot than you'd think. The film plays out in a subversive sci-fi vision of the future where men have died out and their semen is the latest commodity. For the filmmakers, it's a teasing role-reversal in which rough sex, facials and swallowing, traditionally viewed as objectifying women, instead turn men into little more than fantasy fodder and cum dispensers for a privileged princess. Whether utopian or dystopian is left for you to decide?

HardWerk Presents

PAIN MEANS THAT IT MATTERS.?

True to form ? and perhaps even truer to non-binary lead performer Neen Sever ? the third instalment of HardWerk?s hybrid gang bang/interview series Ask Me is more than an invitation, it?s a provocation: ask me, challenge me, expose me, make me. For the filmmakers, collaborating with Neen revealed new possibilities for the format, the result a ?gonzo-meets-psychotherapy? exploration of identity and interest, where verbal communication is paralleled in visceral expression during a vividly intense industrial gang bang. As the cameras are turned on Neen, first under a leaden Berlin sky and later in the radiance of hot lights, flushed skin, burning handprints and undivided desire, the film finds its playground in the intersection between intellect and instinct, between the psyche and the physical, between ego and alter.

HardWerk Presents

LOOK AT ME...

Inspired by the sexploitation films of Russ Meyers and Michelangelo Antonioni’s Blow Up (1966), HardWerk’s latest gang bang is a slow burning subversion of cinematic tropes that finds the carnal in the camp and the sumptuous in the sleaze. For her first ever gang bang and first facial on film, lead performer Maria Riot and the filmmakers reimagined the figure of the bossy (and generally male) photographer with a much-needed shift on the gender axis, so allowing Maria to take the lead in quite literally staging her own fantasy. Here, the line between object, subject and artist can become blurred; men in all their exaggerated machismo can become eager playthings, and the directive cannot go unheeded: look at me.

HardWerk Presents

CORPORAL PUNISHMENT, CORPOREAL BLISS

We are led – and almost literally so, leash and all, as lead performer Kleopatra appears blindfolded onscreen – into the second installment of HardWerk’s Triptychon series by the ring of a bell, the creak of an old wooden school desk, a nervous lick of the lips and three waiting figures. Hanging in the air with it all: anticipation, intention, veneration. It’s not for nothing that the filmmakers have adopted a slower pace for this intense gangbang – there’s a meditative quality to the echoing spanks and answering whimpers, to the push and the pull, to effortless dance of desire between the four participating performers; an absolute presence of mind and an absolute presence of flesh. As with the previous Triptychon film, the composition finds its own seamless choreography across multiple perspectives, so creating stunning juxtapositions between pain and pleasure; between a hand tightened around a throat and the easy laughter in each moment of disarming tenderness; between the polish of ‘pre’ and the primal of ‘right now’…